‘Espionage Fiction’ in Eric Barnouw & Tony Balio (eds.), International Encylopaedia of
Communications, Annenberg U/OUP, 1984.

‘Alfred Hitchcock: Inside Norman Bates’ & ‘Jean Renoir: Renoir & Realism: The Thirties’ in
Leo Braudy & Morris Dickstein (eds.) Great Film Directors: A Critical Anthology, OUP (NY), 1978.

In Douglas Brode (ed.), Crossroads to the Cinema, Holbrook (Boston), 1975.

‘Two “Social Problem” Films; Sapphire & Victim’ in Alan Burton, Tim O’Sullivan & Paul Wells
(eds.) Liberal Directions: Basil Dearden and Post-War British Film Culture, Flicks Books, 1997.

‘Les Anges du péché’,
‘Le Journal d'un curé de campagne’,
in Ian Cameron, The Films of Robert Bresson, Design Yearbook -Studio Vista, 1969.

‘Asides on Godard’, in Ian Cameron, (ed.), The Films of Jean-Luc Godard, November-Studio-Vista, 1967.

‘Michael Powell’,
‘Six Films of Josef von Sternberg’,
in Ian Cameron, (ed.), Movie Reader, November Books, 1972. (Both pieces reprinted from
Movie).

‘Introduzione’, in Codelli, Pisciotta, Valentini (eds.), Cinema Inglese Degli Anni 70, La Capella
Underground/British Council/Azienda Autonomo di Soggiorno E Turismo, Trieste, 1978.

‘Steve Dwoskin’, in David Curtis (ed.), A Directory of British Film & Video Artists, Arts Council et al., 1995.
‘Jean-Luc Godard’,
‘Alain Resnais’,
‘François Truffaut’,
in Encyclopaedia Britannica -1975+ Editions and in Encylopaedia Britannica Micropaedia.

‘To Whom It May Concern: Unsolicited Blurb by Raymond Durgnat, Author of’, in David Gale
(ed.), ‘The Warm Thrill of Pleasure Papers’, private, 1970 (= Prog notes of Royal College of Art
Students' Film Society, 1968-1969).

‘Suckers & Soaks from The Crazy Mirror’, in Gale Research Corporation USA, Twentieth
Century Literary Criticism Vol. 80, 1999.

Trans. of Alain Resnais, ‘Trying to Understand My Own Film’ & Robbe-Grillet, ‘Last Words on
Last Year’, in Harry M. Geduld (ed.), Film-Makers On Film-Making, Indiana U.P., 1967.

‘Eyes without a Face’, in Roy Huss & T.J. Ross (eds.), Focus on the Horror Film, Prentice-Hall, 1972. (Reprinted from Franju)

‘Cléo de 5 à 7’,
‘Duel in the Sun’,
‘Niuewe Gronden (New Earth)’,
in International Directory of Films & Film-Makers, 1: Films, St James's Press, Chicago & London, 1991.

‘The Boultings’,
‘Jack Clayton’,
‘The Vassilievs’,
in International Directory of Films & Film-Makers, 2: Directors, St James's Press, Chicago & London, 1991.

‘Michael Caine’, ‘Denholm Elliott’, ‘Walter Matthau’, ‘Peter Sellers’, in International Directory of Films & Film-Makers, 3: Actors & Actresses, St James's Press, Chicago & London, 1991.

‘Bela Balasz’,
‘Pierre Braunberger’,
‘Anatole de Grunwald’,
‘Hein Heckroth’,
‘J. Arthur Rank’,
in International Directory of Films & Film-Makers, 4: Writers & Production Artists, St James's Press, Chicago & London, 1991.

‘Foreword: The Man with No Genre’, in Norman Kagan, American Sceptic: Films of Robert
Altman, Pierian Press, 1982.

‘Six Creeds that Won the Western’ (with Scott Simmon), in Jim Kitses & Gregg Rickman (eds.),
The Western Reader, Limelight NYC 1998. (Reprinted from Film Comment 1980).

‘The Critics' Choice: Raymond Durgnat’, in John Kobal, (ed.), John Kobal Presents The Top 100 Movies, Pavilion/Michael Joseph, 1988.

‘Imitations of Life’, in Marcia Landy (ed.), Ways of Melodrama, Wayne State UP, 1991.
(Reprinted from Sight & Sound)

‘Psycho’, in Albert LaValley, Focus on Hitchcock, Prentice-Hall, 1972 (Reprinted from Films & Feelings)

‘Luis Buñuel's Greatest Films’, in Fred Lombardi (ed.), The Variety Book of Lists, Variety-Hamlyn, 1994.

‘Franju’, in Kevin MacDonald (ed.), Imagining Reality, Faber & Faber, 1996

‘Thorold Dickinson’ in Brian MacPherson (ed.), Encyclopaedia of British Film, Melbourne,
Australia, 2001/2.

‘Chapayev (S & G Vassiliev)’, LINK
‘Espoir (André Malraux)’, LINK
‘Eva (Joseph Losey)’, LINK
‘Gervaise (René Clément)’, LINK
‘Goto, Ile d'amour (Walerian Borowczyk)’, LINK
‘In the Realm of the Senses (Nagisa Oshima),’ LINK
‘Lettre de Sibéria (Chris Marker)’, LINK
‘Lola Montes (Max Ophuls)’, LINK
‘Miracle In Milan (Vittorio de Sica)’, LINK
‘Paris nous appartient (Jacques Rivette)’, LINK
‘Une Vie (Alexandre Astruc)’, LINK
in Magill’s Survey of Cinema: Foreign Language Films, Frank N. Magill (ed.), Salem Press, 1985


‘The Mongrel Muse’ in Fred Marcus, Film & Literature: Contrasts in Media, Chandler (L.A.), 1971

‘A Gainsborough Picture’, in Emanuela Martini (ed.), La Gainsborough E I Suoi Cugini, Bergamo Film Meeting, Italy,1994

‘Free Cinema e Dintorni’, in Emanuela Martini (ed.), Il Cinema Inglese che Resta da Vedere: Un Aggiornamento di Qualche Proposta Molto Impopolare, E.D.T. Turin, 1991

‘Basil Dearden & Michael Relph’, in Emanuela Martini (ed.), Ealing Studios, The British Council & Bergamo Film Meeting, 1988

‘Michael Powell’, in Emanuela Martini (ed.), Powell & Pressburger, Bergamo Film meeting, 1986. (pseud. O.O. Green; reprinted from Movie)

‘Brush Up Your Shakespeare, Start Quoting Him Now’, in Emanuela Martini (ed.), Ombre Che
Camminano: Shakespeare nel cinema, Lindau, Torino, 1998

‘Muotokuva: Sinisilma-Joe Mahtavana Ambersonina’(SuomEeva Kurki), in Joseph Losey (ed.),
Matto Salo, Like, Helsinki, 1989

‘Some Line of Inquiry into Post-War British Crimes’, in Robert Murphy (ed.), The British Cinema Book, B.F.I, 1997

‘Private Worlds’ in Jane Pilling & Michael O’Pray, Into the Pleasure Dome, BFI, 1989. (reprinted from Sexual Alienation in the Cinema)

‘Metaphysics and Worldliness’, in James Quandt (ed.), Robert Bresson, Cinématheque Ontario,
Toronto Canada, Oct 1998

‘The Impossible Takes a Little Longer’, in Theodore J. Ross, Film and the Liberal Arts, Holt
Rinehart Winston, 1970

‘Introduction: Paint it Black: The Family Tree of Film Noir’ in Ed Gorman, Martin H.
Greenberg & Lee Server (eds.), The Big Book of Noir, Caroll & Graf, NYC, 1988

“Festival of the Midnight Sun Interview with Michael Powell” in Thelma Schoonmaker (ed.),
Interviews with Michael Powell, University of Mississippi Press

Various reviews from Time Out in The Time Out Film Guide, Penguin, 1989

‘From Moral Space to Pictorial Space’, in François Truffaut: Jules et Jim, 2nd ed., 1989
LINK (NEW)

In John Tulloch (ed.), Conflict & Control in the Cinema (ed.), MacMillan Australia, 1978

‘The Cinema of the Eighties’ in Proceedings of the Venice Film Festival Biennale 1,2,3/9/79, ERI, 1979

‘La Grande Parata’ in Vidor: Visioni e Revisioni, Venice Film Festival Biennale, Lindau, Turin,
1994

‘China Gate’ in David Wills & Peter Wollen, The Films of Samuel Fuller, Edinburgh Festival-BFI, 1978