 |
|
 |
 |
 |
 |
Espionage Fiction in Eric Barnouw & Tony Balio (eds.), International Encylopaedia of Communications, Annenberg U/OUP, 1984. Alfred Hitchcock: Inside Norman Bates & Jean Renoir: Renoir & Realism: The Thirties in: - Leo Braudy & Morris Dickstein (eds.) Great Film Directors: A Critical Anthology, OUP (NY), 1978. Two “Social Problem” Films; Sapphire & Victim in Alan Burton, Tim OSullivan & Paul Wells (eds.) Liberal Directions: Basil Dearden and Post-War British Film Culture, Flicks Books, 1997. Les Anges du péché, Asides on Godard, in Ian Cameron, (ed.), The Films of Jean-Luc Godard, November-Studio-Vista, 1967. Les Yeux sans visage, Michael Powell, Introduzione, in Codelli, Pisciotta, Valentini (eds.), Cinema Inglese Degli Anni 70, La Capella
Underground/British Council/Azienda Autonomo di Soggiorno E Turismo, Trieste, 1978. Steve Dwoskin, in David Curtis (ed.), A Directory of British Film & Video Artists, Arts Council et al., 1995. Jean-Luc Godard, To Whom It May Concern: Unsolicited Blurb by Raymond Durgnat, Author of, in David Gale (ed.), The Warm Thrill of Pleasure Papers, private, 1970 (Programme notes for Royal College of Art Students' Film Society, 1968-1969). Goto, l'île d'amour (Programme notes for the Dartmouth Film Society, Winter 1983) LINK (NEW) Suckers & Soaks from The Crazy Mirror, in Gale Research Corporation USA, Twentieth Century Literary Criticism Vol. 80, 1999. Trans. of Alain Resnais, Trying to Understand My Own Film & Robbe-Grillet, Last Words on Last Year, in Harry M. Geduld (ed.), Film-Makers On Film-Making, Indiana U.P., 1967. Eyes without a Face, in Roy Huss & T.J. Ross (eds.), Focus on the Horror Film, Prentice-Hall, 1972. (Reprinted from Franju) Cléo de 5 à 7, The Boultings, Michael Caine, Bela Balasz, Foreword: The Man with No Genre, in Norman Kagan, American Skeptic: Robert
Altman's Genre-Commentary Films, Pierian Press, 1982. LINK (NEW) Six Creeds that Won the Western (with Scott Simmon), in Jim Kitses & Gregg Rickman (eds.), The Western Reader, Limelight NYC 1998. (Reprinted from Film Comment 1980). The Critics' Choice: Raymond Durgnat, in John Kobal, (ed.), John Kobal Presents The Top 100 Movies, Pavilion/Michael Joseph, 1988. Imitations of Life, in Marcia Landy (ed.), Ways of Melodrama, Wayne State UP, 1991. Psycho, in Albert LaValley, Focus on Hitchcock, Prentice-Hall, 1972 (Reprinted from Films & Feelings) Luis Buñuel's Greatest Films, in Fred Lombardi (ed.), The Variety Book of Lists, Variety-Hamlyn, 1994. Franju, in Kevin MacDonald (ed.), Imagining Reality, Faber & Faber, 1996 Thorold Dickinson in Brian MacPherson (ed.), Encyclopaedia of British Film, Melbourne, Australia, 2001/2. Chapayev (S & G Vassiliev), LINK The Mongrel Muse in Fred Marcus, Film & Literature: Contrasts in Media, Chandler (L.A.), 1971 A Gainsborough Picture, in Emanuela Martini (ed.), La Gainsborough E I Suoi Cugini, Bergamo Film Meeting, Italy,1994 Free Cinema e Dintorni, in Emanuela Martini (ed.), Il Cinema Inglese che Resta da Vedere: Un Aggiornamento di Qualche Proposta Molto Impopolare, E.D.T. Turin, 1991 Basil Dearden & Michael Relph, in Emanuela Martini (ed.), Ealing Studios, The British Council & Bergamo Film Meeting, 1988 Michael Powell, in Emanuela Martini (ed.), Powell & Pressburger, Bergamo Film meeting, 1986. (pseud. O.O. Green; reprinted from Movie) Brush Up Your Shakespeare, Start Quoting Him Now, in Emanuela Martini (ed.), Ombre Che Camminano: Shakespeare nel cinema, Lindau, Torino, 1998 Muotokuva: Sinisilma-Joe Mahtavana Ambersonina(SuomEeva Kurki), in Matti Salo(ed.), Joseph Losey, Like, Helsinki, 1989 Some Line of Inquiry into Post-War British Crimes, in Robert Murphy (ed.), The British Cinema Book, BFI, 1997 Private Worlds in Jane Pilling & Michael OPray, Into the Pleasure Dome, BFI, 1989. (reprinted from Sexual Alienation in the Cinema) Metaphysics and Worldliness, in James Quandt (ed.), Robert Bresson, Cinématheque Ontario, Toronto Canada, Oct 1998 The Impossible Takes a Little Longer, in Theodore J. Ross, Film and the Liberal Arts, Holt Rinehart Winston, 1970 Introduction: Paint it Black: The Family Tree of Film Noir in Ed Gorman, Martin H. Greenberg & Lee Server (eds.), The Big Book of Noir, Caroll & Graf, NYC, 1988 Festival of the Midnight Sun Interview with Michael Powell; in Thelma Schoonmaker (ed.), Interviews with Michael Powell, University of Mississippi Press Various reviews from Time Out in The Time Out Film Guide, Penguin, 1989 (reprinted annually) From Moral Space to Pictorial Space, in: - François Truffaut: Jules et Jim, 2nd ed., 1989 LINK The Cinema of the Eighties in Proceedings of the Venice Film Festival Biennale 1,2,3/9/79, ERI, 1979 La Grande Parata in Vidor: Visioni e Revisioni, Venice Film Festival Biennale, Lindau, Turin, 1994 China Gate in David Wills & Peter Wollen, The Films of Samuel Fuller, Edinburgh Festival-BFI, 1978 Paint It Black: The Family Tree of the Film Noir in Barry Keith Grant & Malisa Kurtz (ed.), Notions of Genre, University of Texas Press, 2016 Spotlight on a Murderer (from Franju, see Books) in Spotlight of a Murderer (DVD/Blu-ray booklet essay), Arrow Video, 2017 Only Begotters & Renoir Renoir (from Jean Renoir, see Books) in Julio Bezerra (ed.), A Vida Lá Fora: O Cinema de Jean Renoir, Firula Filmes, Rio de Janeiro, 2017 |
||